https://www.danieltheowoodford.com/vessel daily 0.75 2020-08-07 https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1574930998334-4KB1Q9HW449BIP4MDUH1/Daniel_Woodford_2014_188_EDIT_20MB.jpg Vessel https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1574930998334-4KB1Q9HW449BIP4MDUH1/Daniel_Woodford_2014_188_EDIT_20MB.jpg Vessel https://www.danieltheowoodford.com/engagement-vase daily 0.75 2020-03-09 https://static1.squarespace.com/static/5b6cd1ee8f5130f34e132aa5/t/5e664e93cdda4349bac67e73/1564402681423/ Black & Golden Vessels https://static1.squarespace.com/static/5b6cd1ee8f5130f34e132aa5/5cd2c5aed5cf8f0001ca5fc7/5cd2c5d30d9297d6f43616dc/1564402681423/20190416_184434.jpg Black & Golden Vessels https://www.danieltheowoodford.com/inspiration daily 0.75 2021-06-30 https://www.danieltheowoodford.com/inspiration/2020/12/17/5qma1b3oi7blscsq7djz24z4alok0u monthly 0.5 2021-07-06 https://www.danieltheowoodford.com/inspiration/2020/3/20/20th-march-2020-the-kogi monthly 0.5 2020-03-22 https://www.danieltheowoodford.com/inspiration/2020/3/11/11-march-cheapside-amp-the-goldsmiths-hall monthly 0.5 2020-03-16 https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1584356064903-EUS2IE8ZBELHO2E1ZWEZ/P1034226.jpg Journal - 11th March 2020 - Cheapside & The Goldsmiths Hall https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1584101395840-UJCN4ERFWHO3EYRE9Z4N/P1034189.jpg Journal - 11th March 2020 - Cheapside & The Goldsmiths Hall Atlas with Globe, Thomas Tyrrell for Farmer and Brindley - 1893–1894 https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1584355665310-8AHWLWSC5I801NULU1B0/P1034220.jpg Journal - 11th March 2020 - Cheapside & The Goldsmiths Hall https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1584355731044-WVLTW9KDLMHKR3919UGF/P1034210.jpg Journal - 11th March 2020 - Cheapside & The Goldsmiths Hall Churchyard of Saint John Zachary - Goldsmiths Leopard arch. https://www.danieltheowoodford.com/inspiration/2020/3/16/millenium-bridge-to-the-goldsmiths-hall monthly 0.5 2020-03-16 https://www.danieltheowoodford.com/inspiration/2020/1/14/14th-tate-britain-london-william-blake monthly 0.5 2020-01-23 https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1579718428227-24PMECIMQBRB6B1BR13L/IMG_20200111_145713_EDIT.jpg Journal - 14th Jan 2020 - Tate Britain London - William Blake - Death’s Door Designed by William Blake, but interestingly engraver and print maker Luigi Schiavonetti was commissioned by publisher Cromek to reinterpret his work due to fear that Blake’s radical style being commercially less well received. It’s still a powerful reinterpretation. Whiteline etching with handtinting in black and grey washes on paper - 1805 https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1579718531763-LN09R3V07OQSI9U3WSRE/IMG_20200111_152554_EDIT.jpg Journal - 14th Jan 2020 - Tate Britain London - William Blake Beatrice and Dante in Gemini, amid the Spheres of Flame (illustration to the ‘Divine Comedy’, Paradiso XXIV) 1824–7 - Watercolor and ink over graphite and chalk on paper https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1579717176194-AUMSCN24RZA3YHFHRRLO/IMG_20200111_144813_EDIT.jpg Journal - 14th Jan 2020 - Tate Britain London - William Blake - The Horse One of the smallest and most intimate, charming and eerily powerful pieces on display. Tempera and ink on copper engraving plate - 106 × 64 mm https://www.danieltheowoodford.com/inspiration/2019/12/12/6th-dec-2019-bilbao-guggenheim-jmark-rothko monthly 0.5 2020-01-23 https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1576168277362-UK9HGD9KRE2DUBX2DZ6W/Mark+Rothko+Untitled+%2C+1952%E2%80%9353.jpg Journal - 6th Dec 2019 - Bilbao Guggenheim - Mark Rothko Untitled, Oil on canvas 299.5 x 442.5cm https://www.danieltheowoodford.com/inspiration/2019/12/10/bilbao monthly 0.5 2020-01-23 https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1576153199124-FPF100MFJDZ0UED32V5G/Untitled%252C%2B1962.jpg Journal - 6th Dec 2019 - Bilbao Guggenheim - Jesus Raphael Soto - Untitled, 1962 Adding other materials that emphasized the volume of his works. The painted iron doesn’t just support the structure, it is also the material from which the geometric shapes are made. The slanting lines on the background has the potential to trigger vibrations. https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1576158203537-SOGRLDKW02U91Y155DO3/Pure+Vibration%2C+1968_resized.jpg Journal - 6th Dec 2019 - Bilbao Guggenheim - Jesus Raphael Soto Pure Vibration - 1968 https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1576153145634-68RUNF3ARNM5SP5GSSZI/Black%2BWall%2BWriting%252C%2B1977.jpg Journal - 6th Dec 2019 - Bilbao Guggenheim - Jesus Raphael Soto - Black Wall Writing, 1977 His ‘Informal works’, also known as the ‘Baroque Period’, combined curves and fractures, generating instability. Venezuelan art critic and historian, Alfredo Boltane liken them to the work of the old Baroque masters. https://www.danieltheowoodford.com/new-project daily 0.75 2020-07-17 https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1595007877762-NOZA9EXWOGD61GAIVD6B/image-asset.jpeg A Dark Night of The Soul https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1595007877762-NOZA9EXWOGD61GAIVD6B/image-asset.jpeg A Dark Night of The Soul https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1595008056354-K60XT8H4SP99XN2F4NAN/DSCF6692A.jpg A Dark Night of The Soul https://www.danieltheowoodford.com/royal-college-of-art daily 0.75 2020-08-16 https://www.danieltheowoodford.com/contact daily 0.75 2020-03-28 https://www.danieltheowoodford.com/craftsmanship daily 0.75 2020-09-11 https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1559597591539-AK3TAJ37W4TRDEDYTXZK/_DSF2075_LAQ.jpg Craftsmanship Leaf inspired forms on decorative vase https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1599831215721-A9DPTDPGSA9AE46XKG3K/IMG-20161017-WA0005%2Bcopy.jpg Craftsmanship “Real artists are contending with the unknown, they are possessed by it. They have a personality trait, an openness that makes them do that - They can’t even help it…. They are cursed with the necessity with putting a foot out into the unknown and making sense of it, they are also cursed with the necessity with trying to make a living while they are doing it, which they can’t because it’s almost impossible to monetize creative action…. It’s not that creative action is without value…. as creative people are entrepreneurs, revitalize cities they make things magnificent and beautiful” - Jordan Peterson https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1558294315994-J3JFTDTY3W572ZFS68UL/DSCF3119sp.jpg Craftsmanship https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1558294342018-5M1HFGM5SY5PIL7SYR5U/DSCF3069sp.jpg Craftsmanship https://www.danieltheowoodford.com/about-2 daily 1.0 2021-07-23 https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1557428630560-H5L82KZBSP47PQ0L0BUA/_DSF3427.jpg About The Field of Waterloo 1775-1851 - JMW Turner https://images.squarespace-cdn.com/content/v1/5b6cd1ee8f5130f34e132aa5/1557394645724-Y9MV2GPXEXOI3SI8KE49/DSC_0137%252BSP.jpg About - Light tunnel - metal, water, light source and film 2001 Daniel Theo Woodford graduated from Duncan of Jordanstone College of Art and Design at the University of Dundee in 2002 graduating in Interior and Environmental Design where he developed his appreciation of space from a philosophical perspective. The interior and exterior space we inhabit and the objects we collect affect us emotionally - “Light and shadow, the natural world and our constructed environments all contribute towards the character of a space and how we interact with them. As well as space, objects can be conduits of meaning, bringing great focus and desirable states of being.” Over the next decade Daniel became distracted by less creative pursuits, nevertheless this was a period of inner development forcing him to a face his own demons and begin the work of self-transformation. As his destructive behaviours softened his creative focus flourished and in 2011 he was accepted into the Royal College of Art where he began to bridge his intellectual pursuit with his empathy and desire for craftsmanship. Here began a rejuvenated path and great stimulation of the intellect, imagination and craftsmanship. The title, The Beast Will Out unfolded during conversations with silversmith and RCA tutor Michael Roe. The notion of the beast conjured images of powerful animalistic primal forms and thoughts of man’s worldly desires. This led me to Danti Alighieri’s The Divine Comedy, but most notably the work and insight of Roberto Assagioli. https://www.danieltheowoodford.com/store-1 daily 0.75 2025-11-24